Monday, 6 December 2010
Monday, 22 November 2010
Thursday, 18 November 2010
my blog and me :)
Wednesday, 17 November 2010
in rainbows
Monday, 15 November 2010
sonic youth daydream nation
shooting
Thursday, 11 November 2010
really usefull
www.lauramarling.com
my development
laura marling alas i cannot swim front
Monday, 8 November 2010
back cover of alas i cannot swim
digipack research laura marling alas i cannot swim
Thursday, 4 November 2010
first shoot bad (updated)
Wednesday, 3 November 2010
Monday, 1 November 2010
Production schedule (updated)
Wednesday 3rdth November shooting the footage in the small room after school hoping to spend roughly an hour shooting and finish that part of the film in the afternoon. Putting this shot first because the lighting in the room won’t be natural and it might get dark
Tuesday 9th November – shooting the footage in the field after school hoping to spend an hour and a half shooting and get the scene finished. Shooting this now because I will be able to close the curtains in the hall to minimise the change in natural lighting at the time of the shoot because this will affect the colour capture effect that I am using.
Saturday 13th November – shooting footage in both the hall and the common room. Looking to spend roughly 2- 2 and a half hours shooting on this day as I’m doing 2 scenes. I’m doing it on the Saturday as I need it to be a daytime shot because I can’t alter or change the lighting at all on the outside shot and will be hard to alter in the common room.
(I have chosen the days because of peoples free time and ability to participate as well as the reasons stated above)
Friday, 22 October 2010
video mood board
Thursday, 21 October 2010
Wednesday, 20 October 2010
lauren
what ive learnt
Monday, 18 October 2010
Thursday, 14 October 2010
shooting schedule
– Saturday the 6th of novenmber shooting in the hall for 3 hours doing footage of the satge sequence.
– Sunday 6th November shooting in the common room for 3 hours to record footage of the song in full from each member in each location
– Saturday the 13th of November shooting the footage of the band in the field (weather depending) if it is too wet we cannot because instruments wont go well in the mud.
– Sunday the 14th of November footage in the cramped small room this is the last shot needed.
Wednesday, 13 October 2010
trying to find actors
Sunday, 10 October 2010
Wednesday, 6 October 2010
Saturday, 25 September 2010
originally i was going to use the stage in the hall for my music video to portray distance from the band and the woman however i was creating the mood board for my video and found this picture of a stage. i think that the video will be very different now but i instantly fell in love with it the second i saw it. the closeness of it changes the mood of the video. i think i can shoot it in the drama room and it will work perfectly.
Thursday, 23 September 2010
Wednesday, 22 September 2010
Monday, 20 September 2010
Wednesday, 15 September 2010
The clash london calling it my favorite album cover of all time because of the fact that the imagery from the cover has become iconic in the music industry and is recognised as a clash album by millions of people even if you take away the words. the imagery is very true to the bands persona and the way they acted and it is a statment about the generation it is appealing to. the behaviour of the clash on stage inspired some of the best bands in history and this album cover captures that attitude perfectly. it gives connotations of rebellion and teenage rebellion agains 'the man' the simplicity of the album makes it stand out because it is somthing that seems like its captured in the moment not prepared for and set up. this gives the band a kind of raw edge and an i dont care attitude. furthermore the contrasting colours of the title draws your eye towards them wheras they dont interject with the image atall.
Tuesday, 14 September 2010
Do you need us to email you through an MP3?
Thanks,
Jeremy
Tuesday, 20 July 2010
Radiohead - just
The single's video was directed by Jamie Thrives, who was hand-picked by the band after they saw several of his experimental short films. It was shot near Liverpool Street Station in
That something must be wrong with the man and the band is shown looking out the window at the events below. This is in a way putting the band and the viewer above the events as spectators and portrays them as being in a way better than the normal people who are panicking. A heated (subtitled) conversation between the man and the crowd develops, as the people start demanding to know what the man is doing and why he is lying there. the people gathered around him start to become anxious and very worried about the events that could unfold however as the viewer you are left inquisitive and don’t feel the same emotion .In subtitles, the man finally gives in and says, "Yes I'll tell you, I'll tell you why I'm lying here... but God forgive me... and God help us all... because you don't know what you ask of me.” this leaves the audience in suspense as they are about to get what they have wanted all the time and find out the reason The camera zooms in on his mouth as the man finally gives the answer, but the subtitles have suddenly stopped, so the reason is not revealed to the viewer. As the camera zooms back out, it shows the pavement covered with the crowd of people, all lying down just like the man. Radiohead members have yet to reveal what specific words the man was intended to have said. So it gives the band a certain mystery. The video persuades people to buy the track because it leaves the audience wanting more. The hypodermic syringe model states that an audience is passive and therefore will thrive to know the words said. Furthermore if an audience believes that they can work out the reason that he is lying down it will compel them to purchase it so that they can work it out. Also the fact that in the video the band is placed above the drama in the literal sense of the words instils a sense that the fans of the band will also be in that ‘superior’ position.
Wednesday, 14 July 2010
PLEASE PLEASE ME: - the Beatles debut album was recorded in 1962 and took only 9 hours to record. The album cover is quite a simple design and quite typical for an album cover. It consists of all band members acting normal and ‘’having a laugh’’ with the band name printed on and the album name in the bottom corner. It isn’t very imaginative and leaves little inspiration.
THE ROLLING STONES: - this is the comparative rolling stones first album. It was recorded in 1964 (2 years after PLEASE PLEASE ME) It is in the same boat with no bright eye catching colours. It is simple and in a nutshell boring. It keeps to the typical techniques and has the entire band on the front looking like they are just in a normal picture. However by not printing the bands name and album title on the cover it gives it a slightly more artistic edge. Over the Beatles album
LET IT BE: - this is the last Beatles album and was released in 1970. It is different to their first album cover in the way that it is far more artistic in its manor. Instead of showing the band all standing together as a group they are all separated. Perhaps to signify the separation of the band. Also it is a lot less cliché.
EXILE ON MAIN STREET: - this is the rolling stones latest album and was released this year. As you can see it is very different to the previous album covers from the band and from the Beatles. It features nothing but images of surreal black and white scenes. The cover doesn’t feature the band members at all and this makes a lot less conformist to the typical album cover. However it is a very recent release 40 years giving it a more up to date image like most album covers in recent years.